In Framing Attention, Lutz Koepnick explores various thoughts of the window―in either a literal and a figurative sense―as manifested in quite a few visible kinds in German tradition from the 19th century to the current. He deals a brand new interpretation of the way evolving methods of seeing have characterised and outlined modernity.
Koepnick examines the function and illustration of window frames in sleek German culture―in portray, images, structure, and literature, at the level and in public transportation platforms, at the movie reveal and on tv. He offers such frames as interfaces that negotiate competing visions of prior and current, physique and neighborhood, attentiveness and distraction. From Adolph Menzel's window work of the 1840s to Nam June Paik's experiments with tv displays, from Richard Wagner's retooling of the proscenium level to Adolf Hitler's use of a window as a method of political self-promotion, Framing Attention bargains a theoretically incisive realizing of ways home windows form and reframe the way in which we see the area round us and our position inside it.