By Jesse Weaver Shipley
Trickster Theatre strains the altering social value of nationwide theatre in Ghana from its upward push as an idealistic nation undertaking from the time of independence to its reinvention in contemporary digital, market-oriented genres. Jesse Weaver Shipley provides graphics of many key figures in Ghanaian theatre and examines how Akan trickster stories have been tailored because the foundation of a latest nationwide theatre. This functionality type tied Accra’s evolving city id to rural origins and to Pan-African liberation politics. Contradictions emerge, even if, while the suitable Ghanaian citizen is a mythic hustler who stands on the crossroads among own wants and collective duties. Shipley examines the interaction among on-stage motion and off-stage occasions to teach how trickster theatre shapes an evolving city world.