Edges of Empire is a well timed reassessment of the heritage and legacy of Orientalist paintings and visible tradition via its specialise in the intersection among modernization, modernism and Orientalism.
- Covers indigenous artwork and business enterprise, modern practices of assortment and demonstrate, and a survey of key Orientalist tropes
- Contains unique essays on new views for students and scholars of paintings background, structure, museum stories and cultural and postcolonial studies
- Highlights contested identities and new definitions of self via themes comparable to nineteenth century monuments to Empire, cultural cross-dressing, functionality and show on the overseas exhibitions, and modern museological practice.
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