“He back tops the crowd―he surpasses himself, the outdated iron delivered to the white warmth of simplicity.” That’s what Robert Lowell stated of the poetry of Stanley Kunitz (1905–2006) and his evolving artistry. The interviews and conversations contained during this quantity derive from 4 a long time of Kunitz’s exceptional profession. They contact on aesthetic motifs in his poetry, the roots of his paintings, his friendships within the sister arts of portray and sculpture, his interactions with Lowell and Theodore Roethke, and his reviews on a number of poets: John Keats, Walt Whitman, Randall Jarrell, Wallace Stevens, and Anna Akhmatova.
Kunitz emerged from a mid-sized commercial city in vital Massachusetts, surviving kinfolk tragedy and a feeling of private isolation and loneliness, to develop into an eloquent spokesman for poetry and for the ability of the human mind's eye. Kunitz has commented, “If we wish to understand what it felt wish to be alive at any given second within the lengthy odyssey of the race, it truly is to poetry we needs to turn.” His personal odyssey from “metaphysical loneliness” to a feeling of group with fellow writers and artists―by development associations like Poets condo and the tremendous Arts paintings heart in Provincetown, Massachusetts―is ever found in those interviews.
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